To use Delay to achieve this effect and widen your sound, simply set the dry/wet knob at 100%, unlink the left and right channels, and ensure that one of the two channels has a delay time of less than 40ms while the other remains unaffected by the delay. This technique works because of the Haas Effect, which explains that the human brain’s delay threshold lies at 40 milliseconds and above and that any two sounds which fall closer together than 40 milliseconds will be perceived as one sound.One of the quickest and easiest ways to make a sound wider in your mix is to delay one channel from the other by less than 40 milliseconds.This creates a chorus/modulation effect because the sound is being widened and modulated through the use of delay, just as a typical chorus plugin would do. Set the rate slider based on the rate of chorus you are going for and set the time slider below 50% with a repitch transition mode and the ping pong switch enabled. Enable the bandpass filter and adjust the width slider to separate the left and right channels even more. Delay the left and right channels by only a few milliseconds and bringing the dry-wet down to let some dry signal through.Create a chorus effect using only the Delay device!.There are endless creative possibilities with Delay, but these are a few I have tried out! Jump will jump directly to the new delay time.Fade will crossfade between the old and new delay times.Repitch emulates the behavior of an old tape machine, which results in a change in pitch when the delay time is changed. These transition modes include the following: On the far right of the plugin’s interface, there is a section where you can select the plugin’s “mode.” This model dictates the device’s behavior when the delay time is changed as the plugin is receiving input. The freeze parameter features an infinity symbol to represent the endless repetitive delay created by its use. One cool aspect of the device is its freeze parameter, which when activated, stops responding to the input signal and continuously feeds the same signal (at the point where it was activated) back into the delay. The filter parameter adjusts the amount of modulation applied to the filter, and the time parameter adjusts the amount of modulation applied to the delay time.ĭelay has tons of potential for creating creative effects. The rate parameter controls the frequency/rate of the LFO itself. Below the bandpass filter lives the modulation parameters which control an LFO that can modulate the filter’s frequency and/or the delay time. For un-synced delay, simply turn off the sync switch and adjust the time percentage (in milliseconds) which sits underneath the numbers in each channel’s column.ĭelay also features a bandpass filter which filters the input signal when activated to result in a filtered delay following an unfiltered dry signal. For a quarter note delay, select “4” and so on. Below the sync switch, there are 8 different numbers for each channel which represent the delay time in 16th notes. To sync the delay with the song’s tempo, simply activate the sync switch. This article includes a detailed overview of each delay-related plugin in Ableton Live, with parameter explanations and ideas for how to use each plugin in your productions.įirst off, we’ve got a classic delay plugin which, surprisingly enough, is called “Delay.” Although this plugin’s name seems to imply simplicity, there is tons of functionality packed into this small but mighty effect.ĭelay features two separate channels (left and right) which can be linked for equal delay timing on both sides or unlinked for separate timing. There are endlessly creative and practical applications of delay effects, and Ableton Live’s developers do an amazing job of including a diverse and functional collection of delay plugins with their software package. Whether you are sound designing, mixing, or producing, using time-based effects like a delay is a necessity.
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